Julia Wong
2023
California
I created a storyboard that had key points from the original 3-minute video and sliced and edited that version to make it look like it was originally made as a 1-minute video so that it could be used for social media purposes. To cut the fat out, I used the audio outtakes and matched them seamlessly with the raw video that was provided for us.
First, I carefully reviewed all the raw video cuts (we were not provided with the original video source files) and selected the materials that aligned with my storyboard. Then, I meticulously synchronized the uncut voice-over with the chosen video cuts, a task that required our collective efforts and expertise.
Solving Two Challenges:
1.) The sound quality in the raw video material was not as good as the source audio that was given to us. In order to make a clean one-minute video, I had to find a way to remove the original voice-over and synchronize it with the separate audio file that was provided.
2.) I also had to color-correct the video. To cut it down to the exact T so that it matched the storyboard, I had to backtrack and color-correct it using the color correction tools provided by Adobe Premiere and After Effects.
Overall, what initially seemed like a straightforward task turned out to be a complex and challenging project. But who doesn’t love challenges, they always keep me on my toes.
-
![]()
2024 REEL
My approach and work ethic is influenced by the concept of "Form Follows Function, Function Follows Form."
-
![]()
3D Particle Effect Experiment
I love learning new stuff in After Effects. It’s an ever-evolving tool and I am always learning something new.
-
![]()
Core Systems
Core-Systems, a manufacturer of rugged military-grade computers and displays, contracted me to create a video that pointed out the capabilities of Core-Systems and what they can offer.
-
![]()
T-Mobile®
I just discovered how they did the SQUID GAME Cinematic Parallax Camera Animation and saw it as an excellent opportunity for my promo video project. Using After Effects, I implemented a Stroke Animation with a camera to create a dynamic perspective rather than a flat animation…
-
![]()
Data Center Promo
For this promo video, I aimed to capture the excitement of watching fireworks on the Fourth of July. I created this intro clip to use in social media posts; my goal was to create an engaging visual…
-
![]()
Senseon Social Media Logo Animation 001
Using Scratch, Blur, Shape, and Color glitch animations, I recreated the intense effect I felt when I first watched Se7en. My goal was to craft a visually stunning promotional video that evoked that same emotion.
-
![Social_Media_Thumb_002]()
Senseon Social Media Logo Animation 002
Adding a fifth dimension—“Perspective”—to Scratch, Blur, Shape, and Color glitch animations, I recreated the intense effect I felt when I first watched Se7en…
-
![]()
Julia Wong
I was tasked to redo this particular promotional video and I took it upon myself to redesign the current video and try to find a non-conventional solution in mind. I first used a new lower thirds animation…
-
![]()
Tradesman Promo
I was tasked to redo this particular promotional video and I took it upon myself to redesign the current video and try to find a non-conventional solution in mind. I first used a new lower thirds animation…
-
![]()
Woodworkers of Whittier
This project was one of many where I stepped behind the camera instead of just editing or animating. As the cinematographer, thorough planning was crucial to the project's success…
