My approach and work ethic is influenced by the concept of "Form Follows Function, Function Follows Form."

I love learning new stuff in After Effects. It’s an ever-evolving tool and I am always learning something new. For this experiment I used Red Giant’s Trapcode Particle Effect plugin.

Core-Systems, a manufacturer of rugged military-grade computers and displays, contracted me to create a video that pointed out the capabilities of Core-Systems and what they can offer.

I just discovered how they did the SQUID GAME Cinematic Parallax Camera Animation and saw it as an excellent opportunity for my promo video project. Using After Effects, I implemented a Stroke Animation with a camera to create a dynamic perspective rather than a flat animation…

For this promo video, I aimed to capture the excitement of watching fireworks on the Fourth of July. I created this intro clip to use in social media posts; my goal was to create an engaging visual…

Using Scratch, Blur, Shape, and Color glitch animations, I recreated the intense effect I felt when I first watched Se7en. My goal was to craft a visually stunning promotional video that evoked that same emotion.

Adding a fifth dimension—“Perspective”—to Scratch, Blur, Shape, and Color glitch animations, I recreated the intense effect I felt when I first watched Se7en…

I created a storyboard that had key points from the original 3-minute video and sliced and edited that version to make it look like it was originally made as a 1-minute video so that it could be used for social media purposes…

I was tasked to redo this particular promotional video and I took it upon myself to redesign the current video and try to find a non-conventional solution in mind. I first used a new lower thirds animation…

This project was one of many where I stepped behind the camera instead of just editing or animating. As the cinematographer, thorough planning was crucial to the project's success…